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Table 5 Coverage (counts/Mbp) of tetranucleotide motifs found in Cnidaria

From: Microsatellite abundance across the Anthozoa and Hydrozoa in the phylum Cnidaria

  Leiopathes Tanacetipathes Eunicea Plumarella Corynactis Amplexidiscus Metridium Millepora Nematostella Hydra Acropora Mean
AAAC 29.8 13.6 1.6 5.7 3.1 1.8 36.6 1.8 18.8 2.7 22.7 12.6
AAAG 10.5 1.7 0.4 1.6 0.9 1.2 3.3 1.1 4.3 0.8 0.0 2.3
AAAT 11.0 4.5 2.0 6.1 5.3 3.6 12.3 5.0 46 19.4 26.5 12.9
AACC 4.5 2.5 0.6 1.2 0.3 0.1 6.6 0.0 1.9 0.0 0.0 1.6
AACG 2.3 0.7 0.1 0.8 0.3 0.0 4.4 0.0 1.9 0.0 0.0 1
AACT 2.8 0.8 0.7 1.5 0.5 0.1 0.9 0.2 4.3 1.2 0.0 1.2
AAGC 2.3 1.8 0.2 0.5 0.2 0.5 3.5 0.3 1.8 0.0 0.0 1.0
AAGG 8.9 3 0.1 4.3 0.4 0.7 3.7 0.3 1.2 0.0 0.0 2.1
AAGT 2.7 1.3 0.2 0.7 0.9 1.7 6.9 6.7 3.7 0.8 0.0 2.3
AATC 13.3 9.6 1.1 2.6 5.6 2.3 28.6 1.2 10.8 3.4 0.0 7.1
AATG 7.3 2.7 0.6 1.8 1.5 0.9 41.5 1 14.3 0.5 0.0 6.6
AATT 1.8 0.5 0.3 1 0.6 0.5 1.6 0.5 4.6 1.4 0.0 1.2
ACAG 19.8 15.8 0.7 18.3 0.6 1.0 12.8 2.1 28.5 0.8 0.0 9.1
ACCC 0.9 0.0 0.0 0.2 0.2 0.0 0.0 0.0 1.6 0.0 0.0 0.3
ACCG 0.7 0.8 0.2 0.0 0.2 0.0 0.8 0.3 4.6 0.0 0.0 0.7
ACCT 4.9 1.4 0.3 4.1 1 0.2 1 1.5 12.6 0.0 0.0 2.4
ACGC 8.3 3.1 0.1 0.0 0.2 0.2 0.0 0.2 0.9 0.0 0.0 1.2
ACGG 1 1.1 1.0 0.7 2.5 0.0 1 0.6 8.1 0.0 0.0 1.5
ACGT 0.7 0.7 0.1 0.0 0.0 0.0 0.3 0.3 0.0 0.0 0.0 0.2
ACTC 9.7 6.6 0.0 0.2 2.5 1.5 1.9 0.4 4 0.0 0.0 2.4
ACTG 7.1 10.2 1.1 0.5 0.6 1.5 6.8 1.4 4.7 0.0 0.0 3.1
AGCC 1.4 0.2 0.1 0.2 0.0 0.6 0.5 0.3 4.7 0.0 0.0 0.7
AGCG 1.2 0.3 0.2 0.2 0.0 0.0 0.0 0.0 0.0 0.0 0.0 0.2
AGCT 0.2 0.0 0.0 0.0 0.0 0.0 0.0 0.3 0.0 0.0 0.0 0.0
AGGC 2 0.7 0.4 0.9 0.0 0.0 0.7 0.2 8.1 0.0 0.0 1.2
AGGG 2.9 0.9 0.0 0.8 0.0 0.3 0.6 0.0 4.3 0.0 0.0 0.9
ATAC 20.7 18.4 1.8 7.2 1.3 2.2 2.3 10.2 7.8 45.0 37.8 14.1
ATAG 13.9 3.9 1.8 19.3 1.5 1.2 3.7 22.3 30.0 6 22.7 11.5
ATCC 4.2 2.1 0.2 1.1 0.8 0.2 20.3 0.7 8 0.0 0.0 3.4
ATCG 0.5 0.5 0.0 0.0 0.3 0.0 0.3 0.2 0.7 0.0 0.0 0.2
ATGC 0.6 0.0 0.4 0.6 0.0 0.0 0.6 0.0 0.0 0.5 0.0 0.2
CCCG 0.0 0.0 0.0 0.0 0.0 0.0 0.0 0.0 0.6 0.0 0.0 0.1
CCGG 0.0 0.0 0.8 0.0 0.0 0.0 0.0 0.0 0.0 0.0 0.0 0.1
  1. The most abundant motifs are in bold.